"Krisztina Szabó… is one of the great singing actresses of her generation."
- Paula Citron, Classical 96.3FM: Iphigénie en Tauride (Opera Atelier)
"As Ruggiero who submits to Alcina’s charm then frees himself, the mezzo-soprano Krisztina Szabó advances with the determination of an athlete, delivering vocalizations with an almost indecent ease which transform themselves into a torrent, sweeping everything along in its current. Add to this class, taste, and finesse and you are in the presence of an artist of great distinction."
- Le Soleil, Québec City: Alcina (Les Violons du Roy)
"Krisztina Szabó stand als Rosalind im Mittelpunkt der Besetzung.  Mit ihrem Charisma versprühenden Mezzosopran und knisternden Zwischentönen sowie sicheren Höhen wusste sie sich in der ungemein fassettenreichen Partie, nicht zuletzt in ihrem gelwaltigen Schlussmonolog durchzusetzen" "Krisztina Szabó, with her ever present charisma, this fiery mezzo-soprano found the nuance between the written notes. As well as confidently excecuted high notes, Ms.Szabó succeeded to shine in this extremely  colourful and musically acomplished ensemble; her mastery of the final demanding monologue was proof of her excellence."
- Opernglas: The Mines of Sulphur (Wexford Festival Operal)
“Krisztina Szabó’s Komponist is a great achievement. Not only does her beautiful [mezzo] soprano make you listen attentively, but also the despair of the composer is so clearly expressed.”
- Kärntner Nachrichten: Ariadne auf Naxos (Stadttheater Klagenfurt)
"Krisztina Szabó stole every scene with her powerful, mahogany voice and deeply poignant immersion in the empress’ plight."
- Chicago Tribune: L’incoronazione di Poppea (Chicago Opera Theater)
"There was a particularly strong on-stage chemistry between the Guglielmo (Russell Braun) and the Dorabella (Krisztina Szabó)... Szabo sang Dorabella with finesse and subtlety."
-National Post:  Cosi fan tutte (Canadian Opera Company)
"The soloist in three arias from the operas was the mezz-soprano Krisztina Szabó, who combined dramatic intensity with breathtaking vocal technique."
- The Oregonian: Handel at Christmas  (Oregon Symphony)
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